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aftermath

from disquiet by Katarrhaktes

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about

Field recordings were pitch shifted, time-bent, put through guitar amps, reverb, and so on to create a soundscape that continues throughout the entire piece. With the help of EQ envelopes and effects automation, a roaring gale becomes a faint wind sound.

The synth is Albino 2. I also added humming, breathing, and piano.

credits

from disquiet, released March 4, 2013
The source audio from the 2012 storm Sandy was documented by Michael Raphael, an SFX recordist who maintains the field recording blog Fieldsepulchra at sepulchra.com/blog. His sound effects can be found at Rabbit Ears Audio, rabbitearsaudio.com.

More on this 44th Disquiet Junto project at:

disquiet.com/2012/11/01/disquiet0044-sandy2012/

More details on the Disquiet Junto at:

soundcloud.com/groups/disquiet-junto/info/

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Katarrhaktes London

Katarrhaktes explores the unexplained, the boundaries of truth, the meaning of a linear perceptive existence, and other discourses via conceptual pieces of music which range from destructive, anarchistic dirges to structured, beautiful ambience.

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